The Book of Percussion Pedagogy

There are many instruments in the percussion family, resulting in a tremendous amount of knowledge to learn.

The Book of Percussion Pedagogy


More Books:

The Book of Percussion Pedagogy
Language: en
Pages: 153
Authors: Cort McClaren
Categories: Percussion instruments
Type: BOOK - Published: 2006 - Publisher:

Books about The Book of Percussion Pedagogy
Percussion Pedagogy
Language: en
Pages: 504
Authors: Michael Udow
Categories: Music
Type: BOOK - Published: 2019-07-10 - Publisher: Oxford University Press

In Percussion Pedagogy, author Michael Udow offers a practical guide for students interested in teaching percussion as well as improving their technique. Udow first introduces the bouncing ball system, a technical analogy that teaches students to resist the effects of inertia. Throughout the book, the bouncing ball analogy develops into
Percussion Pedagogy
Language: en
Pages: 496
Authors: Michael Udow
Categories: Music
Type: BOOK - Published: 2019 - Publisher: Oxford University Press, USA

In Percussion Pedagogy, author Michael Udow offers a practical guide for students interested in teaching percussion as well as improving their technique. Udow first introduces the bouncing ball system, a technical analogy that teaches students to resist the effects of inertia. Throughout the book, the bouncing ball analogy develops into
The Evolution of Percussion Pedagogy
Language: en
Pages: 142
Authors: Daniel Andrew Kiene
Categories: Music teachers
Type: BOOK - Published: 2004 - Publisher:

The purpose of this research was to determine whether wind ensemble compositional techniques or percussion pedagogical materials have brought about challenging techniques for percussionists. The study, utilizing selected wind band works (n=27) and percussion pedagogical materials (n=25) produced between 1950 and 2004, and interviews with noted experts in the fields
The Modern Percussion Revolution
Language: en
Pages: 308
Authors: Kevin Lewis, Gustavo Aguilar
Categories: Music
Type: BOOK - Published: 2014-07-17 - Publisher: Routledge

More than eighty years have passed since Edgard Varèse’s catalytic work for percussion ensemble, Ionisation, was heard in its New York premiere. A flurry of pieces for this new medium dawned soon after, challenging the established truths and preferences of the European musical tradition while setting the stage for percussion